Santa Fe

October 19, 2015, 9:27pm

Larry Bob Phillips: Paintings of the Electric Night

“I was told that my color wasn’t good early on, but the truth is that I worked too fast and was lazy about how I used it, so I kind of fell prey to the standard pitfalls of being a young painter,” says Larry Bob Phillips as he gestures to an enormous ink drawing tacked to his studio wall. We’re standing in his South Valley Albuquerque studio, a space that doesn’t resemble so much a studio as a wood shop; there are drawings and studies strewn about almost entirely covering a behemoth of a table saw in the center of the room. Numerous picture frames Phillips has built for clients hang on the wall amongst stacks of rough cut lumber, and his neat, hand-lettered script identifies drawers of repurposed cabinets containing various tools and other miscellaneous equipment used for carpentry and sign painting. Phillips offers, “I definitely had to work at it though, so I definitely don’t feel like color is a weakness, I’m just at that point that I feel like color stops some of the complexities that happens when you’re working with black and white.” – Claude Smith, Albuquerque/Santa Fe Contributor


Larry Bob Phillips | Brainbow, 2015, ink on paper, 40 x 60 inches; image courtesy the artist and PHIL SPACE

Listed under: Interview, Review

September 24, 2013, 8:00am

Ed Moses: Green/Bronze

At 87 years old, Southern California-based artist Ed Moses hasn’t showed any indication of slowing down. Considered by many to be one of the preeminent artists of West Coast art, his oeuvre is known for it’s unpredictably and tendency to resist categorization. His penchant for exploration and experimentation could be likened better to that of a scientist rather than an artist, and in that sense, artistic expression becomes synonymous with words like “invention” and “discovery” rather than creation. His latest exhibition Green/Bronze at Charlotte Jackson Fine Art in Santa Fe, Moses showcases his “crackle” paintings as the results of countless hours of material experimentation and in many ways, these paintings serve as maps or guides down his self-described paths of  “confusion and ambition.” –Claude Smith, Albuquerque/Santa Fe Contributor

Ed Moses | Y? Copper, 2013, mixed media on canvas 4 panels 72" x 45" each

Listed under: Review

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