Larry Bob Phillips

October 19, 2015, 9:27pm

Larry Bob Phillips: Paintings of the Electric Night

“I was told that my color wasn’t good early on, but the truth is that I worked too fast and was lazy about how I used it, so I kind of fell prey to the standard pitfalls of being a young painter,” says Larry Bob Phillips as he gestures to an enormous ink drawing tacked to his studio wall. We’re standing in his South Valley Albuquerque studio, a space that doesn’t resemble so much a studio as a wood shop; there are drawings and studies strewn about almost entirely covering a behemoth of a table saw in the center of the room. Numerous picture frames Phillips has built for clients hang on the wall amongst stacks of rough cut lumber, and his neat, hand-lettered script identifies drawers of repurposed cabinets containing various tools and other miscellaneous equipment used for carpentry and sign painting. Phillips offers, “I definitely had to work at it though, so I definitely don’t feel like color is a weakness, I’m just at that point that I feel like color stops some of the complexities that happens when you’re working with black and white.” – Claude Smith, Albuquerque/Santa Fe Contributor


Larry Bob Phillips | Brainbow, 2015, ink on paper, 40 x 60 inches; image courtesy the artist and PHIL SPACE

Listed under: Interview, Review

May 13, 2013, 8:30am

The Big Hoot: A Twisted Comic Landscape of Epic Proportions

The Big Hoot is the result of a fruitfully epic collaboration between Albuquerque-based artists David Leigh and Larry Bob Phillips that draws on the persuasive power of comic-inspired renderings to convey themes of nature, violence, death, beauty and the absurd.

Listed under: Interview

Recent posts

Wednesday, September 18, 2019 - 17:11
Friday, December 7, 2018 - 12:35
Wednesday, December 5, 2018 - 00:09
Friday, November 16, 2018 - 16:54