I do not have the luxury of escape. In this century, in this moment, few of us do. Information piles up: the advertisements, the mechanisms, the media, the people. I am attached to it, in the midst of it, a part of it. However, as a painter, I am also a witness and a reactionary. The paintings speak of information explosions, where an entire environment can be physically contained in a seamlessly presented two-dimensional world. It is a reaction to the age of technology. The way we look at, perceive, and process ideas has changed, and because of that, because of what the viewer brings to the experience, these paintings could not have been created in any other time. This is not so much a comment on myself as it is the viewer. They now have the ability to take in numerous ideas and aesthetic techniques all at once as a consequence of their everyday lives. What I am doing is letting the ideas fall in a frozen plane, allowing for further investigation.